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Med Sud I Eyrum Vid Spilum Endalaust | 
 enlarge | Artist: Sigur Ros
Label: XL Recordings
Category: Music
List Price: $11.98
Buy Used: $7.27
You Save: $4.71 (39%)
New (46) Used (13) from $7.27
Rating:  51 reviews
Sales Rank: 117
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 40364
UPC: 634904036423
EAN: 0634904036423
ASIN: B001ACY8D2
Release Date: June 24, 2008
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Complete and guaranteed to play like new. APO's welcome,internationals under $50 and expedited shipping available.
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| Tracks:
| | Gobbledigook | | | Inni mer syngur vitleysingur | | | Godan daginn | | | Vid spilum endalaust | | | Festival | | | Med sud i eyrum | | | Ara batur | | | Illgresi | | | Fljotavik | | | Straumnes | | | All Alright |
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| Similar Items:
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| Editorial Reviews:
Amazon.co.uk
Sigur Ros--the sound of snow-capped peaks. Or winged things flocking over vast plains. Or salmon making that final courageous, muscular leap upstream, homeward bound. Ever since the BBC so aptly enlisted the help of the band's "Hoppipolla" single to theme the groundbreaking natural history series Planet Earth, the ever-ethereal Icelandic band have become somewhat typecast, finding themselves conducting awe across the backdrops of nearly every other programme in that broad genre. And with that came the danger that all which followed would automatically become an instant cliche. And though their last album Takk saw a slowing of their evolution in favour of solidifying the established sound in accessible earfuls, Med Sud I Eyrum Vid Spilum Endalaust (which translates as "with a buzz in our ears we play endlessly") sees enough of a stylistic twist to keep things moving, without undercutting this new approachability. Where previously they sounded untouched by human hands, all alien post-rock abstractions, they now sound much more organic, sometimes literally like men playing instruments in a room. Albeit pensively, and extraordinarily. It is a perky record, attentive and exquisite, familiar but not derivative. The rhythmically adventurous "Gobbledigook" reminds of Brooklyn experimentalists Battles, unplugged, the xylophone heavy "Inni Mer Syngur Vitleysingur" is this album's "Hoppipolla" and "Ara Batur" is trembling, lonely and eventually triumphant. "Festival", the album's centrepiece, melds the old and new Sigur Ros dramatically over nine majestic minutes and must number amongst the best moments of their career. -- James Berry
Product Description
Inspired by the unfettered feeling of the acoustic performances filmed during Heima, Sigur Ros
adopted a looser approach in creating their fifth album Med Sud I Eyrum Vid Spilum Endalaust.
The album consequently is fresher and more human than anything they ve previously
recorded.
Rough edges, cracked notes, and the sound of fingers on strings are audible resulting in tracks
(e.g. Illgresi ) that prove to be the band's sparsest and most affecting work to date. Worry not
though, plenty of electric guitar can be heard throughout the album ensuring Sigur Ros
commitment to challenging sonic limitations.
Med Sud I Eyrum Vid Spilum Endalaust is truly a groundbreaking album for Sigur Ros. It s the
first time they ve attempted to write, record, mix, release and support (by touring) an album in
the same year. Notoriously known for their laborious writing/recording style and their Icelandic
roots, Sigur Ros decided to record an album outside of Iceland for the first time. Recording,
mixing and mastering sessions took place in such un-Reykjavik cities as New York (Sear
Sound and Sterling Sound), London (Abbey Road and Assault & Battery) and Havana. The
result is pretty much their leave home album, the anti-Heima.
The opening track, Gobbledigook , is a manifesto setter with its shifting/no time signature. On
the last track, All Alright , Sigur Ros find themselves singing a song solely in English for the
first time. The seventh track, Ara Batur , was performed with a full orchestra and the London
Oratory Boys Choir. This was recorded in one take with no overdubs and the result was 90
people playing at once and just one perfect take. This is their first album working with Flood
(U2, Depeche Mode, PJ Harvey) and the first since their debut to not be recorded with Ken
Thomas. It was a true co-production, one that found Sigur Ros breaking out of old
molds/habits.
The cover artwork is a photo taken from a flyer for Ryan McGinley s most recent photo
exhibition in NYC, I Know Where the Summer Goes , and the image captures perfectly the
spirit of the album, one of free-spirited happiness and exploration.
The band will be touring the US throughout the fall of 2008 to support Med Sud I Eyrum Vid
Spilum Endalaust.
Album Description
Inspired by the unfettered feeling of the acoustic performances filmed during Heima, Sigur Ros adopted a looser approach in creating their fifth album Med Sud I Eyrum Vid Spilum Endalaust. The album consequently is fresher and more human than anything they've previously recorded. Rough edges, cracked notes, and the sound of fingers on strings are audible resulting in tracks. It's the first time they've attempted to write, record, mix, release and support (by touring) an album in the same year. Notoriously known for their laborious writing/recording style and their Icelandic roots, Sigur Ros decided to record an album outside of Iceland for the first time. Recording, mixing and mastering sessions took place in such un-Reykjavik cities as New York (Sear Sound and Sterling Sound), London (Abbey Road and Assault & Battery) and Havana.
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| Customer Reviews: Read 46 more reviews...
 Best album of 2008 June 26, 2008
Manny Hernandez (Palo Alto, CA)
14 out of 22 found this review helpful
I had a mixed reaction when I started listening to the "Med Sud I Eyrum Vid Spilum Endalaust" by Sigur Ros. The opening song was just not like your typical Sigur Ros: it was too... pop.. I was confused: was this Death Cab for Cutie? Had I clicked on the wrong MP3 on iTunes? "Gobbledigook" turned out to be a poppier track, indeed, but even at performing pop they rocked!
From the second track, you go back into familiar Sigur Ros territory. The main difference (besides the opening track) this time around is that the band gets more intimate, with acoustic guitar-based tracks, such as "Godan daginn" and "Illgresi," and quiet piano-based tracks like "Fljotavik," the closing "All Alright" and "Ara batur" (which later evolves into a majestic epic that only they could have recorded).
After 8 listens, the album keeps growing on me. There is only one other album that could be as good this year (though it most likely will be in second place: Maybe They Will Sing for Us Tomorrow by Hammock. Otherwise, Sigur Ros did it again and make any wait for their music worth every minute.
With a buzz in our ears, we play endlessly... June 24, 2008
Sor_Fingers (Boulder, CO USA)
14 out of 25 found this review helpful
That is what Sigur Ros's 2008 studio album, Me su i eyrum vi spilum endalaust, translates to in English. This album sees the band breaking some new ground. This album is essentially a follow-up to two different Sigur Ros projects: the first being the emotional tour-de-force Takk... and the band's recent documentary, Heima, in which the band travels all over the Icelandic countryside doing shows for the people of the villages, many of them with very stripped down acoustic sets. If you've heard the first single, Gobbledigook, and you think Sigur Ros has sold out, think again. Granted this song is very much outside of their artistic tendencies, but this opening cut is really an outlier on the album. The rest of the album is very much a more optimistic, nonetheless, very Sigur Ros album. While we hear songs of epic scale like "Festival" and "Ara batur," we also hear more folky, stripped down arrangements from the band, most notably in "Illgresi." I think Sigur Ros is trying with this album to appeal to a broader audience without losing their soul to the music industry, and I think they've done it. This is evidenced by the band using more conventional and complicated song structures rather than repeating structures that unfold in an ebb and flow kind of way, varied instrumentation, shorter song lengths, shorter overall album length, and surprisingly enough, one song with ENGLISH lyrics. I think the band has found a niche with this album, being able to appeal to more than the people who listen to what Pitchfork media and Bob Boilen tell them to listen to, and yet, I think Pitchfork media and Bob Boilen will also tell us to listen to them. I think that with Me su i eyrum vi spilum endalaust, the music snobs (of which I am a proud member) and the general public will find common ground. And with the nude frolickers on the cover art, who wouldn't at least be intrigued by this quartet from Iceland led by a guy who prefers to play his guitar with a cello bow?
A new direction, great sound June 26, 2008
vedderoh1 (NJ United States)
11 out of 19 found this review helpful
It would be truly unfair to compare "Med Sud I Eyrum Vid Spilum Endalaust" to Sigur Ros's previous three records. First, this offers a new direction in sound and has little to do with their ethereal if entrancing previous LP's. Second, it incorporates a more joyous view on every track. And thirdly, how can one compare four albums that flow like a continuous stream, with music so dispair and no lyrics whatsoever?
The departure from the beautiful yet claustrophobic sound of their first two albums can already be heard on some tracks form Takk, but it isn't until the first track and lead single of Med Sud... that we see that they can as well succeed as a "pop" band.
As absurd as it appears, this is just one of those albums that needs to be listened to from beginning to end to be appreciated in all its beauty and complexity. Do not be fooled by the simplicity of opening track: there are some gems mixed in with the radio friendgly stuff(to name one, 'Festival", one of the best songs they've ever composed) that make this record strong from every corner it's seen.
That said, Med Sud is a grower. Its appeal will not show immediately like it did with Takk or even Untitled, but it grows in magnificence slowly with every listen.
The live rendition of the new songs is outstanding as well. If you are lucky to have them play near your hometown go see them by all means. One can only witness the complete Sigur Ros experience (music and feelings) by seeing them play live.
If this review lacks of any concrete mention to specific tracks is because I consider it incomplete to dissect an entire piece by unit. I recommend this record to anyone who liked or even to those whose liking was manning after Takk. It will sound like a nice fresh surprise and get you back on track with their music.
Another Great Music From Heaven June 24, 2008
Sith Hatta
5 out of 10 found this review helpful
This is another great album from the greatest band in the world right now. I really love and enjoy every minuites in this album! You should listen to this album before you go to bed as they will start from the joyful songs and slow it down from track 5 to the last song to send you to sleep with a nice dream.
Its a beautiful record, August 19, 2008
C. Doyle
0 out of 1 found this review helpful
to put it simply. This is the first of their's I have bought so I was pleasantly surprised it was so good.
The first few songs have a lot of energy and the later songs are very toned down and peaceful, dreamy and in a way very emotional without trying to be.
Its like the best parts of Coldplay and Radiohead in one and better.
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